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Anthony's parents named him after Mexican singer Marco Antonio Muñiz.Anthony grew up in East Harlem, also known as Spanish Harlem and El Barrio, and is the youngest of eight surviving children. Muñiz began his career as a session vocalist for freestyle and underground New York house music acts.The song "I Need To Know" earned a Grammy nomination for Best Male Pop Vocal Performance.In 2001, he debuted another salsa album, Libre, which was certified gold with songs like "Celos", "Este Loco Que Te Mira", and "Viviendo".Anthony performed at the Radio y Musica Convention hosted by Alfredo Alonso.The album also included a cover of Bread's song, "Make It with You." Subsequent tours throughout the Americas, including an opening slot for Blades, established Anthony as one of the new stars in salsa.
His mother Guillermina was a housewife, his father, Felipe Muñiz, a musician and hospital lunchroom worker.In 1999, riding the crossover wave of Enrique Iglesias and Ricky Martin in the Anglophone market, Anthony, working with producers Walter Afanasieff, Cory Rooney, Dan Shea, and Rodney Jerkins, released an English-language, self-titled album with the US Top 5 single "I Need to Know", and the Spanish version, "Dímelo".His song "You Sang To Me" was featured in Runaway Bride.After changing his name to avoid confusion with his namesake, Anthony worked as a songwriter and backing vocalist for pop acts including Menudo and the Latin Rascals.His first album was a freestyle music record, "Rebel," which debuted in 1988 on Bluedog Records.
Anthony was in a taxi when he heard Juan Gabriel's hit song, "Hasta Que Te Conocí," which influenced him to change his mind and ask Mercado if he could record it as a salsa tune.
Upon graduation in 1995, Brandon moved to New York City to work for a management consulting firm, before joining General Electric Power Systems, where he managed the IT infrastructure.
As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.