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I’d rather just sit on the porch, and watch the birds peck for seeds. I was saying that you have this ability to be overpowering—to have a very strong screen presence, even when you’re in the background. But, if that’s a close-up, it’s just going to be this [waves arms] back and forth, so I would consciously slow it down a little bit. I was just in Ireland before I was here, and it happened a couple times over there.
I thought this was an absolutely phenomenal ability, and I realized that you had done it in almost all of your roles! I went to Junior College, I worked in a steel factory. You went to community college in LA, studied under Georgia Wells— JOHN CORBETT: Georgia Wells, that’s right. It’s either saying yes to that, or saying yes to some movie that shoots in South Africa that nobody’s ever going to see because it’s definitely straight-to-video, so I waited it out. JOHN CORBETT: If I had enough money to not work, I wouldn’t be doing this. [laughs] That’s not going to come out right when people read that… I felt good about everything, including this thing, here. I want this project to be good—selfishly—because I’m in it. JOHN CORBETT: I did one [a film] with Hilary a few years back, when she was just a little girl. I think she’s very talented, and she’s got a good little family. these tattooed singers from bands that I’m too old to fucking know but, you don’t see her in the press much. I don’t claim to know the girl, but I thought she was pretty grounded for sixteen. CHRIS NEUMER: I still marvel about the concept she was describing. JOHN CORBETT: [Laughs] CHRIS NEUMER: Oh wait, I’m sorry that was from the deleted scenes, I’m sorry, there weren’t actually in the theatrical release. Feel free to correct me, but if you’re walking through a scene thinking about how to bounce or how to do this, it seems like everything else could just go to Hell. He made headlines when he got traded to Chicago, because he said he was happy to get out from underneath Le Bron James, because he felt like now he’d be able to play basketball and enjoy it again. JOHN CORBETT: [laughs] CHRIS NEUMER: The last question that I had for you, and if you want to keep talking that’s fine… It’s like the Santa Monica to Chicago, but we can smoke on the beach in Oak Park…
I’m not offered big, meaty roles in movies that I go see and go, fuck, I wish I were in a movie like that! [Most of the time], I play a nice-guy boyfriend and this and that. I’m so happy to be able to do this and not say you know what, the bills are due and nobody’s offered me a fucking movie. But, if I did have enough money so that I would never have to work again, whatever that magic number is… CHRIS NEUMER: Let me ask you this—George Clooney has got the cash not to work, but he sometimes uses what he’s got to do something like . CHRIS NEUMER: Is there a small, I’d hate to call it a passion project, but is there a small project like that where you’ve got all the cash you want, and don’t have to work. Not only that, but somebody’s publicist is going to be there, and insult me and my mother like they always do, and I’m just going to have to smile and take it. I’ve been talking about this just in relationship to politics. This has been going on since before we were actually a country! It’s always interesting to me when an actor like yourself comes up to me and goes, “Listen, I want to project to be good, but you know what, it’s also a job.” I understand that. But then there’s a housewife out in Iowa who’s like, “Oh my God, Aiden, I can’t believe Aiden just said that out loud! JOHN CORBETT: Well, one of my jobs in life was being a doorman at nightclubs for years. She’s in Seattle walking down the street and she sees you, and goes, “Oh my God, you’re Aiden! ” I say, let’s do it really fast because I got to go… JOHN CORBETT: Yeah, and I’ll do a quick [picture] but it’s leaning in and starting to walk… If you came up to me in a bar or restaurant, I’m like a cop—I do a quick assessment. For starters, I’m not trying to blow you—that comes later. JOHN CORBETT: Not to pat my own back, but it’s rare to see an actor who’s not in the scene, hanging out on the set, because you get so used [to them] saying, “Let me know how long you need me.” I was down there watching those guys rehearse—if I have any kind of input, I’m going to fucking say it! It’s always awkward, when you’re talking to a sixteen-year-old, who seems more mature in social situations that you… JOHN CORBETT: [nods] Yeah CHRIS NEUMER: Going back, for the time being, to the screen presence that you carry. On Monday night, we’ll get up and perform this eight-minute scene in front of the other thirty people who are in the class. But, in acting there are so many ways to get the truth, or the reality of the role. I was thinking about this in reference to some of the things that you had said about sort or showing up, and I don’t want to say go through the motions, but just sort of a forced working with these romantic comedies. I really want to go away from the experience having the director feel like I did whatever he wanted me to do, and that I never got in his way, and that I helped him make the movie. They’ve got the fucking electric department hired before they get to me. If I’m saying, “I don’t know, man, why do you want me to do that? Having gotten into it when you were an adult, having a sort of nonfamous/celebrity mind-set already instilled in you? I mean, my true experience is that when I met this group of actors when I was a kid, I might have been twenty-four. ” Seeing that progression—that would be something interesting.
Fuck Gary Marshall, can I get that South Africa movie back? Are you tempted to come back and do something with a certain director? So, I know exactly what you’re saying about the whole jaded-thing. I was going to ask about motivation later, but since we’re here now, I’ll ask: how do you keep the motivation-level up like that? All the people that I know are on the Democratic side of the fence, so there’s the debate between Hillary [Clinton] and [Barack] Obama. ” [laughs] I don’t know where to go with that thought. I’ll go, well this guy is kind of shy and he’s said some really nice things, so I’ll give him the time. JOHN CORBETT: [Laughs] CHRIS NEUMER: But I look at your craft, I see what you do. That was some really crappy Chicago/Hollywood something-or-another and they wrote about Jerry [O’Connell] when you guys were shooting at this fish market, and was like, “Heather Graham went back to her trailer every time after each take.” And it’s like, “Oh that bitch, how dare she! If I’m in a scene, and the guy who’s job it is to sweep the fucking house up after we’ve all left says, “Oh, I’ve got a good idea, why don’t you put your fucking hat on sideways? I don’t care where the great ideas come from, I just want a great idea—give me one. CHRIS NEUMER: Anything, looking backwards that you’ve weighed in on? I realized that there are certain people that just have certain things. When I was in acting class—and the thing with my acting classes, the thing I took away from it was the ability to fail. You try to do it so well that you don’t have to do it again the next week. It’s interesting how some actors who just go, and do, and they’ve got it. Thomas Jane, who’s amazingly detailed about every little thing he does… I was curious to know how you keep your motivation-level up, when you are on a job? I’m one of the last guys [they hire], so part of my job is to help this guy make the movie that he’s got in his mind—the movie he wants to make. I was in the steel factory since I was eighteen, and then I got hurt. So, when I was that age, and I met these kids who were all eighteen, at Cerritos I’d never seen a play believe it or not. and once in a while went to the movies with my girlfriend… Get some everyday people, and putting them through the press junket, or that type of thing where people come up to them while they’re eating dinner and go, “Oh my God, are you Cynthia from that new Reality T. You’d have to get those same crappy people from those junkets.
There were a lot of reviews for people who were stumped. As we started doing more interviews, and things like that with […] CHRIS NEUMER: Yes, the magazine has a funny name. There were a lot of reviews for people who were stumped. As we started doing more interviews, and things like that with people such as yourself, and others—as I mentioned our last cover was with Billy Bob Thorton. But, I was really excited to talk to you and I’ll tell you why—I was looking at some of the stuff you’ve done. CHRIS NEUMER: No, that’s fine, I’ll just pretend you’re Jack Nicholson… JOHN CORBETT: [Laughs] CHRIS NEUMER: And, they’re tinted as well? Patric was drop-dead good-looking, good with the ladies, everything—he also looked just like Errol Flynn, except he had virtually no on-screen presence. When he was doing things, you’d be looking elsewhere because he never really stood out, he just sort of faded into the background. If I had to go get a regular job, I don’t know if I could. So, I do a little bit of that, you know, but I don’t have to do many scenes like that in the movies I so. If they had a good experience, and I did too, maybe they’ll hire me again, someday. Either of those answers would have been acceptable. It’s happened to me a few times, where I just didn’t want to be there for whatever reasons… JOHN CORBETT: [If] I didn’t like being away from home, or if I didn’t like the fucking town I was in, for whatever reason. They asked whether or not I wanted to be here on Monday or Tuesday, and I said that your last day was Tuesday, so… JOHN CORBETT: [laughs] But, I remember all the encounters that I’ve had with famous people. Just like with the directors, I want them to go away with a good memory of Johnny the C’s encounter…
JOHN CORBETT: I have a lot of down time, but I don’t have time for, uh… CHRIS NEUMER: Well, I would be right next to you probably doing much the same thing chatting you up down there… I was just reading this book on Errol Flynn, I don’t know how familiar you are with him, or with Hollywood back in the day, but there was an actor named Patric Knowles, who played Will Scarlet in . A lot of that [movement] is not going to be usable. CHRIS NEUMER: If I were to answer that question—with what would be the right answer to this question, I would have said—well, it’s logical, or it’s my paycheck. CHRIS NEUMER: This goes back to that “fan” thing you were talking about—you must get a lot of jackass guys coming up to you and doing, “Dude, I must have been fill-in-the-blank working with Kate Hudson, Sarah Jessica Parker or—oh! I’m not going to say who, but I went up to some dude that I’m a big fan of and kind of hoped that he’d say, “Bro, I like you too,” CHRIS NEUMER: I’m going to just write down Daniel Craig. I’m going out there in a week or two because I’m doing something with Martin Landau.
The 53-year-old said, "So whether we choose to revisit it at another time and reimagine that story — that’s something Michael and I just haven’t talked about yet, that doesn’t mean we won’t, but we haven’t at this time." Fingers crossed we get to see the ladies back together!
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“It might have just been coincidental that he was traveling,” she said cryptically.
“I can confirm that there is no Jennifer Hudson,” she added of the singer who played Carrie’s assistant in the first movie. She wasn’t amazing in the first film or anything, but at least she was some kind of break from the depressing story line.
"If she chooses not to do the third movie, there’s not a lot I can do to change her mind and we must respect it," Sarah shared, "That’s the only thing I’ve ever said about it, you know?